Archive for February, 2009

On a Musical Level, On a Political Note Stimuli

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Stimuli

This Musing is the result of some correspondence about the latest massive stimulus package being debated in Congress. I forwarded a notice that exhorted people to write to their Senator and explain why Arts funding is critical, not frivolous spending. It elicited a response to which I replied:

Jennifer wrote:

This will essentially pull the plug on many smaller orchestras and concert series, in addition to the losses in the visual arts. Please visit the link below and voice your opinion:
J

XXXXXXXXXXXXXXXX wrote:

Please take about 1 minute to go to this website and let your reps in congress know your response to how they voted on the new economic stimulus bill.
This is a great website. It links you immediately by zip code to your senators and representatives and keeps track of how they voted. If you aren’t already – get connected to this one. And, please, pass it on.
http://capwiz.com/artsusa/issues/alert/?alertid=12612041

XXXXXX reponded and worte:

Please explain your reasoning.
This takes nothing away from the “Endowment For The Arts”.
In fact the original version of the house bill included additional money for the arts. Unfortunately it was dropped as part of a compromise with the minority
party.

If the economy collapses there won’t be much of an audience to support us.

Jennifer wrote:
Dear XXXXXXX,

Arts programs are heavily dependent on donations and corporate support. Because of the money crunch, most corporate and private support has dried up. The NEA endowment isn’t enough. Symphonies are going belly up across the country, as are the performing arts centers they play in. School music programs are practically nil. Thousands of jobs are also being lost in this sector.

There was money in the original bill to address these needs.
The opposition party has (by their deeds), demonstrated that they feel our society doesn’t benefit from arts programs. They use the examples of a few visual arts exhibits that stray from their way of thinking to try and kill any government subsidization for arts education or performance.

The reality is that because of sticking their heads in the sand, our artistic culture is being determined only by market principles. It preys on those poorly educated in the arts by inundating the media with low culture that destroys, not inspires. It hurts us all. The majority of performers and artists successful enough to make a living now and in the future are only going to be people who come from wealthy families. It is practically impossible to be educated in music and the arts and also break through in the marketplace without massive financial support. Do we really want all of our artists and performers of the future to only represent the financial elite?

The economy would benefit from the education of the population in matters pertaining to the arts. It has been proven that people who are taught to appreciate higher forms of music and art have brains that function at a higher level. They become better at learning about all subjects.

We can’t take a band aid approach this time, our collective intelligence will dwindle further. With the massive turnout on election day consisting of people wanting profound change, it’s a shame Congress is wasting time arguing over small political points. They gave 350 billion dollars to the banking industry with no stings attached. What’s the big deal over 50 million dollars (that will be doled out with transparency), to help raise our country’s collective intelligence?
Jennifer

Photo Links Links to Pix

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Here are links to Galleries from other sites:

1. From the Filmed Concert at the Jazz Bakery for All Out Films
Photos by Sherry Rayn Barnett July 6, 2007

2. From the Recording Sessions for “Left Coast Story”
Photos by Maria Ventura June, 2008

http://homepage.mac.com/venturaimagery/LCS/

About About Jennifer Leitham

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Jennifer Leitham
Jennifer Jane Leitham has been referred to by noted jazz critic Leonard Feather as the “left-handed virtuoso of the upright bass.” In addition to her successful performance career, Jennifer has appeared on over 100 recordings with some of the giants of jazz music. In addition, she has recorded 7 highly acclaimed CDs of her own.

Jennifer is best known for her decade long stints with both Mel Torme’ and Doc Severinsen. She has appeared with many distinguished artists including Woody Herman, George Shearing, Gerry Mulligan, Peggy Lee, Joe Pass, Cleo Laine, Louis Bellson, Pete Rugolo, Bill Watrous, and numerous others. She has also been a member of the Tonight Show All-Stars, The Woody Herman Thundering Herd, Benny Carter Quintet, Bob Cooper Quartet, DIVA, and more.

Jennifer has been invited to perform as a featured artist or group member at almost every major jazz festival in North America and many overseas. A highly regarded educator, she is enthusiastically received as a presenter of workshops and clinics at schools and colleges around the country, and has joined the faculty at California State University Long Beach as a Studio Artist.

Jennifer’s own highly regarded CD’s include Leitham Up, The Southpaw, Lefty Leaps In, Live ! , and Two for the Road, (a duo performance with guitar virtuoso Jimmy Bruno). Her sixth CD, The Real Me features her original compositions and for the first time, her singing voice! Her latest CD “Left Coast Story” is a collection of requests from her loyal fans. From her unique arrangements of “West Side Story” to heartfelt vocal ballads to interpretations of compositions ranging from Henry Mancini to Emily Saliers of the Indigo Girls to to a Flamenco tinged solo bass version of Vince Guaralidi’s “Cast Your Fate to the Wind” it’s a collection that continues the tradition of Jennifer’s ear pleasing art!

Her trio performs for enthusiastic, diverse audiences on a regular basis.

Words of high praise for Jennifer Jane Leitham and these recordings come from many of today’s jazz critics and publications :

“prodigious technique and improvisatory prowess promptly erase any emotion except awe.” [J. Robert Bragonier-52nd St. Jazz].

“As an improviser, Leitham has few peers.” [Bill Kolhaase-LA Times]

“a unique level…….to effortlessly improvise with imagination, incredible skill and even a bit of humor.” [Jim Ferguson, Jazz Times]

” swinging high-energy performances and remarkable technique…..” [John T. Bitter-musicHound Jazz]

“Combining her astonishing virtuosity with some exquisite soul, Jennifer Leitham brings in her trio to celebrate the success of her latest album, The Real Me. Some nice tunes on that one. She, (and her trio), make an organic whole that is really something live … and something that all kinds of fans get into.” [ Brick Wahl, LA Weekly]

Performing on her Hofner bass, Jennifer is an artist/clinician for Hofner String Instruments.

About her Hofner string bass model H5/12-BV she comments, “It carries enough bottom to play in an orchestra yet it still punches out pizzicato solos like a great jazz instrument.”

She is also an endorsee of Acoustic Image amplification, Raezer’s Edge speakers, Wilson pickup systems, and LaBella strings.